Baskin Film Deutsch

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Baskin Film Deutsch

Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Ergun Kuyucu, Muharrem Bayrak, Mehmet Cerrahoglu; Untertitel:: Deutsch; Sprache. Offizieller "Baskin" Trailer Deutsch German | Verkaufsstart 29 Apr | OT: Baskin | Ausführliche Film-Infos für #Baskin unter. Baskin - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | eikmans.eu

Baskin Film Deutsch Baskın: Karabasan

Offizieller "Baskin" Trailer Deutsch German | Verkaufsstart 29 Apr | OT: Baskin | Ausführliche Film-Infos für #Baskin unter. Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Polizisten Das Wort bedeutet auf Deutsch übersetzt soviel wie “Überfall” oder “Razzia”. Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Polizisten Baskin. Mehr Infos: HD, SD | Deutsch. Zum Streaming-Anbieter. 2,99€. Leihen. Baskin ein Film von Can Evrenol mit Görkem Kasal, Ergun Kuyucu. Inhaltsangabe: Der Polizist Arda (Görkem Kasal) ist noch recht neu in. Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Ergun Kuyucu, Muharrem Bayrak, Mehmet Cerrahoglu; Untertitel:: Deutsch; Sprache. Baskin - der Film - Inhalt, Bilder, Kritik, Trailer, Kinostart-Termine und Bewertung | eikmans.eu Baskin Fünf Polizisten geraten während einer Nachtstreife in die Gewalt eines höllischen Kultes, So stellt sich das Ergebnis erwartungsgemäß und vor allem im Film dar: Audio: Dolby Digital (Deutsch, Türkisch).

Baskin Film Deutsch

Entdecken Sie hier reduzierte Filme und Serien auf DVD oder Blu-ray. Ergun Kuyucu, Muharrem Bayrak, Mehmet Cerrahoglu; Untertitel:: Deutsch; Sprache. Baskin. Kinostart: zum Trailer. Effektvoller türkischer Horrorfilm über eine Polizeieinheit, die in einem verlassenen Haus die Hölle auf Erden erlebt. Baskin Fünf Polizisten geraten während einer Nachtstreife in die Gewalt eines höllischen Kultes, So stellt sich das Ergebnis erwartungsgemäß und vor allem im Film dar: Audio: Dolby Digital (Deutsch, Türkisch).

Mike Hostench Executive Producer. Alp Korfali Cinematographer. Erkan Ozekan Film Editor. April 1, Full Review…. March 31, Full Review…. View All Critic Reviews Talk about a sick and twisted horror movie.

If this is what Turkish horror movies are like, then I will have to make a better effort to keep up with them.

Though, obviously, not every Turkish horror movie is gonna be like this. The most intriguing thing about this movie, outside of the insanity that is its second half, is the fact that it came from such a religiously conservative country, as I guess it's sort of the same way that some Japanese movies can be so fucked up due to the fact that their culture is so repressed when it comes to certain things, that their art sort of reflect that.

I can imagine this film is a result of that religious conservatism. I find that parts of this film are a push against that conservatism, what with the rampant sex and violence, but it may just be me.

The film starts out simply enough, as it sees five cops during a night out on the town. Everything is fine and normal, until they get a call to go to this abandoned building in this town that has been the source of all sorts of strange rumors throughout the years.

On the way to this town, it seems that they have run over this man before the van is driven off the creek and into the water.

A shallow river. This is when the weird shit starts to happen. They are guided by this man to where they're supposed to go and once they find their way into the abandoned building that's full of this weird cult, who have had their eyes taken out, fucking all over the place.

The rest of the cops are rounded up and taken to this place, where they meet the leader of this 'cult', who has a strange appearance and he systematically starts murdering the cops one by one to see if they are the one he is looking for, as it were.

The film, honestly, isn't entirely clear as to what this leader, called The Father, is looking for. So that was one of the flaws.

There's also a recurring theme of Arda reliving one nightmare he had as a child. Visually speaking, the film is probably the best horror movie I've seen all year.

There's all kinds of symbolism, subtext and just plain old clever horror costuming. So that was really fucking cool to me. While it might not all be horror right from the get-go, I think the film does a fantastic of just giving off a sense of dread.

Like you just know that these cops are heading for the worst possible night of their lives. It's actually pretty damn effective at that, might be one of the best I've seen in a while.

The acting is damn good as well. The guy who played The Father, a first-time actor mind you, was fantastic in this movie.

It's not even due to the fact that his appearance is so strange, though that helps, but he does have a way of performing that just adds to how creepy the dude actually is.

The rest of the cast is strong as well, but the guy who played the Father is excellent here. No joke. The movie isn't perfect, of course, no horror film is.

But, by and large, the sense of dread, the sick and twisted portrayal of 'hell on earth', as it were and really clever concepts make this movie well worth the trip, even if some might be turned off by some of its visuals.

I really liked this movie a lot and I would easily recommend it to horror geeks. Jesse O Super Reviewer.

Aug 06, Some interesting nightmarish ideas in a film that bears a resemblance to Hellraiser and its first sequel, but lacks those films pace, logic and verve.

Daniel P Super Reviewer. Apr 07, This isn't a bad film. In fact, the first minutes of it are wonderful. That synthesizer solo blew my mind, and the diner sequence was very fun and Tarantino-esque.

The buildup to the actual "horror" was done quite nicely, and there was some really creepy stuff happening.

Then it devolves into torture porn and it ceases to be scary, just disgusting. I would recommend this if you aren't looking to be blown away, and you like bloody, disgusting films.

The twist will make you roll your eyes, unless you are easily impressed by predictability. K Nife C Super Reviewer.

Mar 30, Love the stylish cinematography, beautiful lighting, and playful story structure. There are some deeply religious and philosophical conundrums being posed here, being dealt with in a sort of simplistic way, and the buildup is much greater than the ultimate, eventual payoff, but its still worth the ride.

Hayden B Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies.

Best Netflix Series and Shows. Go back. He states that the next day, he found out that his friend truly had died that night.

He states that this is a recurring dream that he continues to have to this day, and that he had never told anyone else about it. Remzi then tells Arda something he wishes he had told him when they first met.

He asks Arda to focus, taking in all his surroundings. Arda suddenly sees the hooded figure standing in the shadows behind Remzi, who tells him that this is the first time someone else has been able to see it.

As in the dream, a hand reaches out. Black liquid starts leaking from the ceiling and seeping from the floor, and Arda falls backwards in his chair.

Instead of hitting the floor, he falls into a dark body of water. As he floats underwater, a giant pair of hands reaches down towards him from the surface.

The film cuts to Arda being pulled from the water by the other officers. A strange group of people have gathered by the stream around a fire.

One of them begins laughing, asking if the officers were in an accident. Yavuz demands to know why he is laughing, and angrily kicks over a bucket, which is full of frogs.

The officers go to find the person they hit, but the body has disappeared. They note that their radios and phones are broken, presumably from the water.

They ask the strangers where they are, and are told that they are in Inceagac. They get one of the strangers to lead them to a building where an empty police car is parked outside, with its lights flashing.

He tells them that it was a police station back in the Ottoman days , and a stable when he was a child, but that is now deserted and avoided.

Seyfi states that he had heard about the place, and echoes that it was a police station in the Ottoman days. As they prepare to enter the building, Remzi pointedly tells Arda not to worry, and that he has the key to all of this.

Small ornaments crafted with twigs, some vaguely human-shaped, hang from a nearby branch. Seyfi tries to call out using the radio in the car, but it doesn't work.

The stranger takes the opportunity to run away, cursing at them as he does. The officers enter the building. Inside, another strange ornament hangs from the ceiling in the middle of a hallway.

They find egg shells that seem filled with blood. Apo vomits. They go on to find a man in a police uniform standing and hitting his head against a wall.

He doesn't respond to their questions, except to point to a stairwell when they ask where his partner is.

Arda, Remzi, Yavuz, and Apo go down the stairs, while Sefyi stays with the man they found. Seyfi notices a frog, which jumps away from him. He follows it to a room where he finds a naked person covered in blood, with chains around their wrists apparently having intercourse with another bloody person with a black plastic bag over their head.

Seyfi looks around and sees several more similarly-adorned people in the room, and as he panics, they attack him, forcing him to the ground. The man in the police uniform starts laughing in the hallway.

The other officers find a room with chains hanging from the ceiling, decorated with similar ornaments to before, with blood and grotesque drawings on the walls.

There is a table in the middle with lit candles around several padlocks. Apo notices another room where bloody bodies wrapped in clear plastic are hanging from the ceiling, and others wrapped in chains around black plastic line the walls.

There is also a cage with a blood-covered woman inside. Meanwhile, Arda follows a streak of blood on the floor to a different room, where he sees dozens of bodies wrapped in blood-stained sheets on the floor and hanging from the ceiling.

On one side of the room, a woman with a butcher knife is cutting up a body and throwing entrails into a bucket.

To their right appears to be people copulating behind a hanging plastic sheet. As he realizes what he is seeing, Arda begins trembling in fear.

In the other room, Apo reaches out towards the woman in the cage, while behind him, one of the bodies by the wall begins to move, then hits him over the head with a sledgehammer.

He falls to the ground unconscious. Yavuz sees this and starts screaming, and runs away. The yelling is heard by Arda, and also the people in the room with him, who are revealed to be blindfolded.

We see that one of the people behind the plastic sheet is hanging from the ceiling, and has had both legs cut off, at the waist and above the knee, respectively.

The people run towards Arda, who panics and shoots wildly at the walls and ceiling as he runs away. Remzi, Arda, and Yavuz run down a hallway, pursued by the blindfolded people who pursue them on all fours.

Yavuz falls down and is dragged away. As Arda keeps running, Remzi disappears from behind him. The walls are suddenly made of stone bricks and the floor is dirt.

Suddenly Arda finds himself in his childhood house, just outside his bedroom. He sees his childhood self pulled into the room by the robed arm from the opening dream sequence.

The film jumps back to the restaurant, where Arda is choking on water from a glass. Remzi tells him that they have a long way to go.

Arda asks what is going on. He tells Arda that not everything has a clear answer, but that tonight they are at a crossroads. He says that they were summoned there tonight, and there was no call for backup.

He says that someone is looking for something, and this has been happening to Arda ever since he was a child. Arda wakes up chained to a stone pillar.

Remzi, Yavuz, and Apo are chained to their own pillars. In the middle of the room, a mass of blindfolded, blood-covered people crawl and kneel, reaching up towards a spiral staircase.

A man with one eye uncovered walks around them. He claps, and they fall silent and still. The hooded figure slowly descends the staircase, and the blindfolded people reach out to him reverently as he passes.

Yavuz curses at him. He removes his hood and washes his hands and his disfigured head, then laughs at Yavuz. He tells the officers that he is only there to help them, on a night where doors open and realms unite.

He tells them that Hell is not a destination, but something they carry inside them, and that he is there to shepherd and guide them.

The disfigured man Baba walks to Apo, who seems half-conscious. With what little reviews are even out there at this point, critics and keyboard warriors are complaining that Baskin is 'low on plot'.

Hearing that as a complaint really grinds my gears. See, there are some movies that are just devoid of enough creativity to generate an interesting plot, and then there are other movies like Baskin, that are that way by design.

If you don't like the movie The 'low on plot' complaint gets more absurd the more I think about it because so many masterful and classic movies have threadbare plots and nobody even bats an eyelash.

In fact, they praise how it does so much with so little. Writer and director Can Evernol has crafted a wonderfully nightmarish movie that seems to understand the very fabric of a bad dream- a dream you keep trying to wake up from and can't.

Baskin makes enough sense from scene to scene that you can follow the narrative as a movie, but there are enough plot threads and details that stick out to give the movie a thoroughly dreamlike quality.

It dives in and out of deeper dream realms, characters deliver spooky speeches about fate and death. The camera fetishizes details that look irrelevant, so your eyes are drawn in, scouring the scene for clues or hints or something lurking in the shadows.

Every scene is atmospheric and moody, giving the movie an uneasy vibe even when not much is really happening. The movie has a simple plot, but that doesn't mean it's a simple movie.

It leaves a lot open to your imagination, but not in the way you might think. That concept when married to horror movies usually means that the killers or the monster isn't ever really seen, or that all the gory stuff happens off screen.

Neither is true of Baskin. It lets you use your imagination when it comes to the story. There's obviously a much bigger and more complex history to the antagonists of this movie, and thinking about what that might be is just as unnerving and scary as watching them kill their victims.

And, speaking of victims, by the time our protagonists, a team of five police officers, happen to stumble across their lair, an old abandoned police station- we can clearly see they've been at this for a while.

This small cult has killed dozens and dozens of people in extremely brutal and ritualistic manners.

Also, I've got to give props to the filmmakers for creating one of the most disturbing looking cults I've ever seen.

Especially the perfect casting of the cult leader in Mehmet Cerrahoglu. Now, obviously, that name won't mean much to most audiences because this is Mehmet's first and only screen credit.

His performance was deeply unsettling and extremely disturbing. I can see a bright or dark..? He's like a new Michael Berryman, and I say that with as much love and fondness for this genre and the actors in it as humanly possible.

He stole the whole show away from the well established leads up to that point. Mehmet had dynamic and chilling on screen presence.

A lot of Can Evernol's inspirations are readily apparent to genre fans. He manages to blend an eerie Euro art-house vibe with a hardcore splatter flick vibe.

Actually, no- scratch that. He doesn't blend them- he does something a lot riskier. The first half of the movie is eerie Euro art-house cinema, and the second half of the movie smashes in, rubbing our faces in the anxiety inducing, gross- out, extreme gore, of your above average splatter flick.

Baskin might not be the bloodiest or most insane movie ever, but just because I- as a genre fan, am jaded as hell, doesn't mean I can't recognize it for the demented and wild ride that it is.

It's a sick and haunting movie that is more concerned with moods and instantly disturbing imagery than it is with backstory and plotting.

The necessary story bits are told through the characters and their interactions, and that was fine to me. I liked that aspect of the movie.

Baskin succeeds overall, but excels in leaving you with memorable images of things the average person wouldn't ever want to see, let alone have it stuck in their head.

Baskin doesn't look cheap, or low budget. It's immersive and gritty, and it's readily apparent flaws can be chalked up to differing tastes and opinions.

Simon Abrams is a native New Yorker and freelance film critic The Big Lebowski Stream German work has been featured Esquire, the Village Voice and elsewhere. Check, check, check. First screened at the Toronto International Film Festival on September 11,the film marks Evrenol's feature film directorial debut. Tomris Laffly. He turns off the television and notices a red light emanating from his bedroom. Edit Storyline A squad of unsuspecting cops go through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building. Yavuz curses at him. Talk about a sick and twisted horror movie. Visit our What to Watch page.

Baskin Film Deutsch - Darsteller und Crew

Als Kind hatte Arda ein traumatisches Erlebnis, in dem ihm der Geist seines tödlich verunglückten Freundes erschien. Dark City. User folgen 3 Follower Lies die Kritiken.

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Trailer BASKIN (Deutsch) von Can Evrenol Baskin Film Deutsch Jack Whitehall Sites. January Learn how and when to remove this template message. But how can you complain when Arda's company seems so real? Erkan Ozekan Film Editor. K Nife C Super Reviewer. Dancing With the Stars. Baskin. Kinostart: zum Trailer. Effektvoller türkischer Horrorfilm über eine Polizeieinheit, die in einem verlassenen Haus die Hölle auf Erden erlebt. Heimlieferung oder in Filiale: Baskin von Can Evrenol, Mehmet Cerrahoglu, Gorkem Kasal, Film (DVD) Sprache, Deutsch, Türkisch (Untertitel: Deutsch). Als sie dann das naheliegende Haus betreten und immer Sicario Trailer in dessen düstere Gänge und Räume vordringen, in denen ein blutrünstiger Kult sein Unwesen treibt, beginnt für die Polizisten ein Noragami Hiyori Albtraum, aus dem es kein Entkommen zu geben scheint. Kino-Mystiker, wobei Gesetz Der Rache Hdfilme vor der Kamera zeitweise denkbar drastisch zur blutigen Sache geht. Dann muss Christina Plate Nackt oder sie selbst entscheiden, ob beunruhigende oder surreale Bilder zufriedenstellenden Ersatz bieten. Der hauptberufliche Parkplatzwächter setzt in seinem Filmdebüt ein, was ihm die Natur gegeben bzw. Elif Dag. Baskin Film Deutsch Baskin Film Deutsch Filmtyp Spielfilm. Fatih Dokgöz. Arda erzählt seinem Vorgesetzten Remzi von einem Traum, der ihn Mord Ist Ihr Hobby Stream der Kindheit quält. Die fünf Polizisten wirken oft wie die einzigen Menschen From Darkness einer verlassenen Erde. Can Evrenol. Unterwegs auf einer routinemässigen Nachtstreife wird eine Polizeieinheit als Verstärkung zu einem verlassenen Haus gerufen. Hayati Citaklar. Baskin DVD. Freddy vs. Im türkische Horrorfilm Baskin stolpert eine Gruppe nichtsahnender Sailor Moon Crystal Deutsch Stream wortwörtlich mitten hinein in die Hölle. Ercin Sadikoglu. Nakaimo mir gefällt die Optik und auch das der Film doch ein ziemlich derbes Vorkabular an den Tag legt so Sendetermine Babylon Berlin das doch gut zu den Charakteren sonst. Let Me In. Görkem Kasal. Kollege Seyfi verliert in der Toilette Felix Steiner Unternehmer den Verstand.

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